Indie director Jim Jarmusch has forged his reputation on intimate and immaculately cool character-driven dramas like Dead Man, Broken Flowers, Only Lovers Left Alive, and the unconventional zombie dramedy The Dead Don't Die. He has a way of taking famous actors and transforming them in ways we've never seen before. So frankly, we were giddy about this combination of ensemble cast and Jarmusch before we even got to the plot.*
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Three days later:
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In his Matching Soulmates paper in the journal of Public Economic Theory, everyone is in a computer simulated dating pool, where thousands of digitally created daters rank each other. His algorithm picks "first‑order soulmates": pairs who choose each other in a stable matching. It removes them, and runs it again with those left, and you get second‑order soulmates, and so on.